Michael Jackson - Got To Be There -2013- -flac ... |verified|

The orchestral intro. The 2013 remaster preserves the "air" around the violins. Michael’s entry— "Got to be there... got to be there..." —is not slammed against the 0dB ceiling. There is 6dB of headroom above the soft parts, meaning when the chorus hits, it hits like a physical wave.

: Audiophiles often seek out the FLAC format, specifically the 192 kHz / 24-bit or 96 kHz / 24-bit versions available on platforms like ProStudioMasters and Qobuz . Michael Jackson - Got To Be There -2013- -FLAC ...

promised a different philosophy:

added bonus tracks but introduced heavy compression. The dynamic range was crushed to sound "louder" on iPod earbuds, resulting in audible clipping during Jackson’s powerful vocal crescendos on tracks like "Ain’t No Sunshine." The orchestral intro