A critical aspect of is the composer’s use of "wrong note" harmony. Shostakovich frequently utilizes the interval of the second (notes that are right next to each other) to create a
The first movement immediately establishes a mood of high spirits and rhythmic vitality. It is cast in a standard sonata form, but Shostakovich condenses and manipulates the architecture with a deft hand. shostakovich piano concerto 2 analysis
The piano rips off a syncopated, almost boogie-woogie rhythm (bar 7). The left hand leaps octaves while the right hand plays a melody that sounds like a circus tune. Shostakovich quotes a tiny fragment of the first movement (the trill) but turns it into a joke. A critical aspect of is the composer’s use