This creates a disturbing meta-layer to the "game- inside" dynamic. As a player, you are controlling a digital boy, who is in turn controlling a zombie-like worker. It raises an uncomfortable philosophical question: Are we, the players, simply another layer of control? Are we the architects of the boy's survival, or are we forcing him into danger for our own curiosity?
: A central mechanic involves using "mind-control" helmets to manipulate husks (lifeless human bodies) to help you move objects or reach new areas. Game- Inside
This section is a masterpiece of ludonarrative harmony. The controls become heavy and sluggish This creates a disturbing meta-layer to the "game-