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For decades, Indian cinema worshipped the invincible hero. Malayalam cinema, via its cultural ethos of questioning authority, was the first to break the idol.

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Kerala has two monsoons, and Malayalam cinema has used rain to signify everything from romance ( Thoovanathumbikal ) to social decay ( Avanavan Kadamba ). The sound of torrential rain on tin roofs is the white noise of the Malayali soul. In Mayaanadhi (2017), the drizzling, perpetual grey of Kochi mirrors the doomed romance of the protagonists. You cannot separate the mood of the film from the humidity of the coast. For decades, Indian cinema worshipped the invincible hero

Kalyana Raman (1986) and Ramji Rao Speaking (1989) captured the desperation of the unemployed youth waiting for a visa. The Gulf returnee became a stock character—the man in the white kandoora with a suitcase full of gold and a broken marriage. The sound of torrential rain on tin roofs