Interstellar 2k Link -

Despite being shot on 35mm and 70mm IMAX film (which has an estimated resolution equivalent of 12K–18K), much of the film’s post-production and visual effects (VFX) were mastered in a 2K digital environment

The interplay between 65mm/IMAX film formats and the 2K digital workflows used for visual effects and distribution. 1. Introduction The Vision: Christopher Nolan’s Interstellar interstellar 2k

The most iconic image of the film—the black hole—was a milestone in computer graphics. Physicist Kip Thorne worked with the VFX team to ensure light was bent correctly by gravity. Even in a 2K format, the shimmering accretion disk and the deep, ink-black center of the singularity provide a level of immersion that changed how science fiction is visualized. Despite being shot on 35mm and 70mm IMAX