| Partner | Role | |---------|------| | | Funding, artistic development support, venue access in Paris. | | La Compagnie des Balcons (newly formed collective) | Production management, technical coordination, safety compliance. | | Société des auteurs et compositeurs dramatiques (SACD) | Rights clearance for historic texts and letters. | | Université Paris 8 – Department of Gender Studies | Research consultancy on archival material and feminist theory. | | Local NGOs (e.g., “Femmes du Quartier”) | Community outreach; invited participants for the interactive balcony segment. |
On Rotten Tomatoes, the film holds a from top critics (as of mid-2024), with a consensus: “A feverish, funny, and furious feminist fable — Merlant proves she’s a major directorial voice.” Noemi-Merlant---Les.Femmes.au.balcon.2024.P.-Zv...
The film explicitly uses dark humor and "feminist vulgarity" as a defense mechanism and a way to process the reality of sexual violence. | Partner | Role | |---------|------| | |