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Mature women in cinema are no longer an “inspiring exception.” They are a market force, a creative necessity, and a long-overdue correction. The screen has room for mothers, yes—but also for lovers, fighters, criminals, geniuses, and fools, of every age.

For years, desire on screen belonged to the young. Then came Good Luck to You, Leo Grande (2022). Emma Thompson, 63, plays a repressed widow who hires a sex worker. The film’s radical act? Showing a woman’s body—sagging skin, wrinkles intact—experiencing pleasure and self-discovery. Thompson insisted on full nudity. “We never see real older bodies in cinema,” she said. “That has to change.”