Select one "Lingua d'Acciaio" exercise. Set the metronome to 80. Play it once with single tongue, once with double tongue, and once with legato (slurred). The PDF allows you to see the relationship between air, slur, and articulation.
A in the public domain. What circulates are student notes and scanned lesson sheets. For legal, organized access, buy Lynn Nicholson’s "Power & The Range" or seek out a student-taught workshop .
The Italian school was known for high playing. The Gatti method does not shy away from the upper register. By working through the progressive studies, players find themselves naturally extending their range, not through force, but through the efficient use of air and compression.
Select one "Lingua d'Acciaio" exercise. Set the metronome to 80. Play it once with single tongue, once with double tongue, and once with legato (slurred). The PDF allows you to see the relationship between air, slur, and articulation.
A in the public domain. What circulates are student notes and scanned lesson sheets. For legal, organized access, buy Lynn Nicholson’s "Power & The Range" or seek out a student-taught workshop .
The Italian school was known for high playing. The Gatti method does not shy away from the upper register. By working through the progressive studies, players find themselves naturally extending their range, not through force, but through the efficient use of air and compression.