Milan Luthria’s direction is stylish and old-school in the best possible way. He knows how to frame his hero to maximize impact. The film treats Mussoorie not

The second half of the film takes a dark turn. This is where Tadap transforms from a romance into a psychological thriller. Ishana, unable to cope with the separation, spirals into alcoholism and madness. His obsession with Ramisa turns volatile. The film does not shy away from depicting the toxicity of a man scorned. Ishana becomes a shadow of his former self, haunting Ramisa’s life and threatening the stability of the political landscape.