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Unlike the dark, moody lighting of The Sopranos or The Wire , Breaking Bad is bathed in blinding, high-contrast sunlight. The wide shots of the barren desert create a sense of isolation and consequence. There is nowhere to hide in the desert. The colors tell a story too: Walt wears beige and green (safe, organic) early on, shifting to black and dark red (power, blood) as Heisenberg takes over. Skyler moves from blue (passive) to white (trapped) to black (complicit).
And then there are the time-lapses. The show’s use of hyper-kinetic montages set to music (from "Crystal Blue Persuasion" to "DLZ" by TV on the Radio) turned drug cooking into a work of art. breaking bad
Vince Gilligan often said that he wanted to turn Albuquerque, New Mexico, into a character itself. Cinematographer Michael Slovis did exactly that. Unlike the dark, moody lighting of The Sopranos
Another reason is the show's gripping storylines. is a show that is full of twists and turns, keeping viewers on the edge of their seats and eager to find out what happens next. The colors tell a story too: Walt wears
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