This is not nostalgia for nostalgia’s sake. Piper has spoken in interviews about "technological hauntology"—the ghosts that live in the imperfections of old media. "When you watch a perfectly rendered 8K video," she said in a 2021 lecture at the Rhode Island School of Design, "you are watching a simulation of reality. When you watch a VHS rip from 1994, you are watching time itself. The tracking lines, the color bleed, the static—that’s not a glitch. That’s a timestamp."
However, her advocacy extended beyond the aesthetic. She became known as a mentor to many of the artists she worked with, helping them navigate the often-treacherous waters of the commercial art market. She understood that for an artist to thrive, they needed more than just a sale; they needed a champion who believed in their vision even when the market was uncertain. megan piper
is a highly regarded figure in the London art scene, best known for championing public art and older contemporary artists. This is not nostalgia for nostalgia’s sake
Her approach to running a gallery was deeply personal. She was known for her hands-on involvement, her meticulous attention to detail, and her genuine relationships with the artists she represented. In an industry often criticized for being opaque and transactional, Piper brought a level of transparency and passion that earned her widespread respect among peers and collectors alike. When you watch a VHS rip from 1994,